Many Thanks to serinde, Lisa for uploading and Dark Side of Light for translating the interview! What’d would we do without our PotF Task Force? :)

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Host: That was of course Korn and Narcissistic Cannibal. But let’s move on to Finnish music: Marko from Poets of the Fall hello.
Marko: Hey.
Host: It’s been a little while now since your album came out.
Marko: Yeah, it’s been a while but it’s still a very current thing for me. We’re just buzzing, running around and going abroad and different places in Finland, talking to people about it on radio, on TV and at gigs. And magazines.
Host: A little here and there.
Marko: Everywhere.

Host: Temple of Thought is the name of the album. And like you said, you’ve given a lot of interviews to other countries as well. What’s the most exotic one that you’ve come across so far?
Marko: Right today I had one from Egypt. Nothing special there, the English was good and all but if I remember correctly I’ve never done an interview to Egypt before. I’ve given some to Israel and some other places which you wouldn’t first think about giving an interview to.
Host: Well at least when it comes to rock music consumption, it’s not the first country that comes to mind.
Marko: At least it’s not the first and foremost country that Finnish rock musician would think of.

Host: But this is your fifth album already. So how is the creating process… does it become easier or more difficult the longer you’ve been around?
Marko: Well, some of the things we know how to do already. So in some ways we have our own ways of doing certain things already and they work very well. But there are times when you need to take a break from everything and live your life and to experience and run around and bang your head on the wall. You have to have experiences so you will know what to write about and what to feel and what to bring forth in the songs. So the more you go into the extreme there, the more difficult making the music gets. And as an artist you’re always careful not to repeat yourself.

Host: Your new album is kind of… it makes you feel very visual. When you were planning… When you started to work on the new album, did you have any specific vision about the way it should sound or did you have some landscapes on your mind?
Marko: Let’s just say that the landscapes appear when something starts playing in your head. For me personally… Actually I should map out how Olli and Captain see this thing, or feel, or hear. But I see stuff like pieces for movies and I can just look at it and write about what I see. Or it feeds the feelings and feelings in turn feed the music. If anyone plays something that creates a feeling, I automatically start to hum or sing something on top of it.

Host: When it comes to making notes… When this clip of a movie comes to your mind, how do you write it down so that you will remember what it was about even later on?
Marko: It has been pretty much a mess and a stream of consciousness. And usually I write in a bit of a panic, because I need to find a piece of paper to write on or a mobile phone so I can turn on the recording program. And then you hum something very vague into it which is really difficult to interpret later on. But then I always get empty envelopes from the paper trash basket. Maybe we could photograph some of them and put them into the booklet, like “this is how we worked on it”. And they’re full of all kinds of little doodles and pieces of phrases which end up in the final song either partially or fully. That’s the first impression on the song and a stream of consciousness, like I’m trying to say something here and I have something to say. And you write something like la-la-laaa and then in the end it ends up being the third phrase on the right in that song. Maybe. Something like that.

Host: Maybe… How was the album making process this time? Was it blood, sweat and tears or did it come easy?
Marko: It never comes easy. It really is blood, sweat and tears in many different ways. You have to experience and live and take in the painful things in life and take in the painful things at the studio when we don’t agree on something. We have happy moments too of course, like this worked out perfect. But we get into arm wrestling when the timetable is starting to get tighter along with everyone’s nerves. And last year we were doing a lot of management stuff at the same time, we were going through a large amount of possible affiliates in Finland and abroad, bigger and smaller record labels and we negotiated contracts with them and it was like “read up this contract and then work on the lyrics a little before we start to record some of your vocals and I’ll do the guitars in the mean while and program in the drums and we should think about updating our website and check out our Facebook” and stuff. It was a really bizarre mix of things. I… Last year I learned to escape from the studio somewhere to the beach with my recording device and some paper. Every time I got a piece of music from Olli for example, like he had created a structure for the song and I went to write the lyrics at the beach so that no one would know where I was.
Host: Like “Please, let me just have a moment of peace”.
Marko: Yeah.

Host: Let’s listen to a song I just had to pick from this album: the last song, The Happy Song, which is very different from the rest of the album. What can you tell us about it?
Marko: I think it’s really great that it’s on that album. When you’ve listened through the album in a certain kind of mood you have to let go of it before you can listen to it again. That’s why it’s in there as some sort of a… well, a bitch slap to your face if I can say so.
Host: That’s exactly what it is. Let’s listen to it now, Poets of the Fall – The Happy Song.

Host: I’m guessing that there are quite a few people out there who are now wondering if this really is Poets of the Fall. But it really is. We have Marko here in our studio to talk about the band’s new album but… That really was a different kind of Poets of the Fall.
Marko: Yeah, you have to be able to do the kind of stuff that feels good and what comes out. It’s fun to look at some of the things in hindsight, like “so that’s the kind of stuff we used to do, guys… what were we thinking?”
Host: What were we thinking…
Marko: But that was a really fun song to record. Because there are like 5 to 8 different characters that you have to pull off. Like first you’re this schizophrenic killer and next you’re the miserable stalker and this character and that character and this one again and then you have to sing through the whole thing like that. Like “Ok, how does it sound? I told you I’m a psycho!”

Host: Your music has… and always had, a very visual element to it. Your music videos are excellent and so forth. So when are you going to be making a movie?
Marko: Oh-hoh-hoh-hoh, when we have a shitload of money.
Host: But how important is the visual side to the band? Do you all share a love of movies for example?
Marko: I could imagine that the visual side is very important to all of us. And since we all are addicted to perfection in a way, like total junkies, we want to be very much involved in it. The music videos are very much a part of the songs so it’s nice to be able to work on those as well. At least I find all that close to my heart and very important. I guess it comes from seeing the first music videos as a kid and thinking that they suck and I’d like to do better ones.
Host: You were watching Michael Jackson’s Thriller and thought it was just shite.
Marko laughs: Yeah, like I should get to do it myself so that it would be properly done. I guess it came from defiance like that and being a visual person, things really have to look like something and fit just right. And of course one works through their own vision of it and other people will see it the way they do. It’s good to go with your own vision.

Host: Yeah, music videos are starting to be an extinct species. Is it worth putting all the money into really good looking videos anymore?
Marko: That’s a good question. You can basically create music videos without spending much at all. But on the other hand you can spend insane amounts into them and in my opinion there’s no sense in doing that. Even though it’s marketing and a tool for marketing the cost can be something that you start to think if you’d rather just start smoking and get yourself a cancer than pay that much for something like that. But, well… I think some things are worth doing if you want it. Of course there are things that pull you back to reality, like money. But still.
Host: Those little details.
Marko: But music videos are still pretty much necessary in the music business. If you try to get ahead to new territories, they want the whole package. They want the album published, they want the concerts, radio play and interviews. And the music videos. In a way it’s simply a part of it.

Host: How much do you think your music videos, which are really brilliant, have actually advanced your career out there in other countries where they actually play the videos on some channels?
Marko: They are important in my opinion and they have helped a lot. If you think about Carnival of Rust music video, it has over 10 million views. And every time I do an interview to some foreign country they always ask about the videos. So I get to talk about them a lot. And it’s really cool that people take notice of them because we’ve put much thought into them and we’ve invested money into them and we’ve tried to do them as well as possible. And it’s great to see people interested in them. And the characters I play in the videos, they change ever so slightly in their appearance and even name, but it’s very much a part of our concept as Poets of the Fall and so. It’s theatrical in a way, and something we like to aspire to. I think it would be really boring to get on stage if you can’t let go a little bit. If you take on a character do the concert through the character, it’s much easier to depict the stories behind the songs and to live in the moment.
Host: Yeah, if all you did was stand and hold on to your mic, it would be really boring to watch.
Marko: Yeeeeah, and it’s a bit of a performance. You wear your character and you are the character for a while it gives you a sense of surreal madness and everything’s simply a lot more fun.

Host: It’s more fun for you too? During the song we talked about going abroad and your album will be coming out there as well. When was it, at the end of summer?
Marko: Yeah.
Host: What kind of buzz do you have going on in Central Europe for example?
Marko: Surprisingly good. Our fist singles have started to roll and we didn’t even expect something quite so big to happen. We got a list of several radios from large to small ones who have added out single to their playlist. We were like “what?!” It’s really nice and now we have all our fingers crossed and thumbs up so that it would start to go forward from there. We’ve been doing a lot of ground work there for years and now we’ve found a really good bunch of people to help us out with creating a buzz, so all we can do now is to hope for best.

Host: You’ve always done things by yourselves a lot. How difficult has it been to form contacts when you don’t have a bit multi-national record label backing you up? How difficult is it to get people even to hear you out, what you’re about?
Marko: Well, if you think about the fact that today is Poets of the Fall’s 9th birthday and this is the point where we are now. It’s clearly taken a few years to work on all of it and to look for contacts and to find the right ones.
Host: So it hasn’t been the easiest thing in the world?
Marko: No, it hasn’t necessarily been the easiest thing in the world.

Host: Have you ever felt like “oh shit”?
Marko: Yeah.
Host: Like now we really have to get that deal in that country.
Marko: Yeah, you sometimes start feeling like it’s not going to work out at all, let’s just call it quits and something comes along that we could get but it’s just totally shit, but should we take it anyway. We’ve ended up not taking that route.
Host: Like you wouldn’t have to do everything all by yourselves?
Marko: Yeah. Stuff like that comes along. On the outside it might look like we’re going up to the sky like a rocket but when you’re on the inside there’s a fist coming through every single door and window that you bump into before you reach the end of the corridor where the light is shining.
Host: That sounded pretty bad! That’s where the light is shining.
Marko laughs: That’s where the light is shining.
Host laughs: Don’t walk towards the light.
Marko laughs: …towards the light.

Host: This is a good place to end our chat, except please tell us where your next gigs in Finland are going to be.
Marko: During the weekend we’ll be in Helsinki, at Pressa. And we have a couple of boat cruise gigs coming up and then we go to Tallinn. And for the rest of May we’ll record some stuff in the studio. And during the summer there are going to be some open air festivals and nightclub gigs in Finland and we’ll have those along the autumn until winter if I remember right. Check out Poets website for more information because I only know that our tour manager tells me where to be on that day so I should remember to come to the tour bus so that we can put you on stage. I never know where I am on some specific day. All I know that tomorrow I have a gig.
Host: So they tell you that it would be nice if you were on the bus as well so that you can be taken to the gig. You don’t need to know where it is.
Marko: Olli always comes to pick me up from home, like “let’s go, now”.
Host: That sounds somehow endearing.
Marko: Can’t deny that.
Host: You don’t have to worry about a thing.
Marko: Yeah.
Host: But hey, thank you for being able to visit us.
Marko: Thanks, it was fun.

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Part I:

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Part II:

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  • Size: 4.3MB
  • Length: 3:44min
• Part II:
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  • Length: 3:08min
• Part III:
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  • Length: 2:32min

Transcription & Translation of Part I available thanks to Dark Side of Light (thank you!):

Host 1: Until now this band has released four albums and one compilation and yesterday they released their 5th full length studio album Temple of Thought.
Host 2: And a true temple of thoughts is their vocalist Marko Saaresto. Marko Saaresto, that hunky, handsome male with a beautiful voice. He makes women’s panties wet and men’s feelings surface. This tall hottie is very talented in many different walks of life. He’s a sports masseur, graphic designer and multi-instrumentalist.

Host 1: I think you got a little bit side-tracked there. There’s more to the band than just Marko.
Host 2: Oh really? Like who?
Host 1: Who? Let me check… There’s some Olli and some Markus as well, so…
Host 2: In any case, let us welcome the bombastic, poetic and popular in India Poets Of The Fall!
Laughter.

Host 1: Yeah. This kind of stuff. Welcome, Marko Saaresto.
Marko: You don’t really need me here at all, just play that again or make it a little longer.
Host 2: We were a little worried, like what if the other guys, who were they again, were to come with you…
Host 1: Molli or someone.
Host 2: … if they had gotten a little offended, but luckily you just came alone.
Marko: Luckily it’s just me. They can’t get themselves out of bed at this time of day. They’re artists, I’m just a worker ant.
Host 1: How’s it going?
Marko: Pretty well, thanks. You have a new coffee machine here, the coffee’s good.
Host 2: Right, right. So yeah, thanks for stopping by, it was great to have you…
Laughter.

Host 1: But we’ve waited for the moment when we get to listen to new Poets, and we get to do that right now. You’ve released a new single, Cradled in Love.
Marko: Uuuu, yeah.
Host 1: How did it feel like to get into the studio to work on the new stuff?
Marko: Really good, really great. We’ve been working on it for a year now and it feels good to have it done now. We can start on the next one straight away.
Host 2: Is it really such a conveyor belt production, like you have to be at the studio all the time?
Marko: No, you can’t work like that, all the time. But then you get the right feel and want to get to it. For me it took a vacation of 10 days in between, so… I had to relax a little, but then I had to get back to it.

Host 2: The new album Temple of Thought came out into the stores yesterday. Isn’t it so that the afternoon and evening before the release is the most nerve-wrecking time for an artist?
Marko: Yes it is.
Host 2: So right now you’re a completely relaxed and undone man.
Marko: Yes, absolutely.
Host 2: Everything’s ok?
Marko: I’m feeling rather languid right now.

Host 3: The falsetto comes out easier too. So this is an ending to a trilogy, this Temple of Thought.
Marko: Yes.
Host 3: What’s the message of this trilogy, or why is it a trilogy in the first place?
Marko: It’s a trilogy thematically. I did go and change our logo at some point, but the titles and the photographic material and the songs mirror each other in there. And thematically, if Signs of Life is the first part, it depicts the birth and growth and Carnival of Rust depicts the loss of illusions, you see what life is really like and the end result is a human being, Temple of Thought.
Host 2: Going down to pretty deep spheres.
Marko: Yeah, yeah, I can lower my voice a little bit more.

Host 3: We didn’t really get that. Bygones. So what is the next album going to be? A party?
Marko: But that’s a really good idea. I was thinking that it could be. I thought it could be this…
Hosts singing together: Sorry for party rocking.

Transcription & Translation of Part II available thanks to Dark Side of Light (thank you!):

Radio spoof: NRJ Morning Boys.

Host 1: The vocalist of Poets Of The Fall, Marko is here for an interview.
Marko: Hoy.
Host 1: Marko, like we can hear from your new song, it’s pretty much a falsetto song, you go pretty high up there. Not necessarily loud, but very high. And all the time! Is it difficult, you’re practicing for the live performances, have you ever gotten the feeling like damn, what did I do, I can’t sing that.
Marko: Every time you’re writing a song you have to think about the live version also, so that you can do it. But sometimes you have to pull off tricks to make it work, because the live situation is so different from a situation at the studio or even from the gig rehearsal situation. When it’s live, there’s noise, sounds, movement, different vibes and your energy is wired up high. And that’s a delicate song. Like if you make a spinning top on top of a pencil, it’s got to stick to that. And if you’ve been running around all over the stage to all the rock songs and then that song comes up you just hope you could get another set of lungs.
Laughter.

Host 2: But somehow these slow songs seem to suit you. When you think about your new music, it seems natural for you to have these soft and tender songs there.
Marko: Yeah, seems that way, we do write quite a bit of those. We do stuff from one extreme to the other, like so. One of my friends from school, a tough heavy metal guitarist, told me back in the day that it’s the heavy metal guys that write the most delicate songs.
Laughter.

Host 1: When you think about putting the gig set together and so, how does it work out to find the balance to it, like on the optimal set list you can offer feelings from one end to the other.
Marko: We have the happy situation that we have feelings from one end to the other in our songs and you can include them. But of course you think about it. There are those certain songs that people want to hear and expect to hear Lift and Carnival of Rust when they come to our show. So we stick them somewhere in between, to spots that feel right. Then there’s the new material that you want to play and want to include and then you see what else you can pull off. We already have so many singles, music video songs that when you’ve picked a few you already have a set for one and half hours.

Host 1: It must be difficult with the 5th full length album, you can’t squeeze in that many songs from the newest without someone complaining “where’s my favorite song from the first album and why didn’t you play Late Goodbye?”. Are you still playing Late Goodbye by the way?
Marko: Yes, we are. We did one whole tour without it because I got fed up with it.
Host 1: The crowd must have been in total rage.
Marko: They asked about it, yeah, like where is it.

Host 3: Talking about feelings, you’ve been the cause for rapture in India… at Oktoberfest, wasn’t it? I read you had an audience of 15 000.
Marko: Yeah, it was cool.
Host 3: How come you’re so huge there? Not to doubt you wouldn’t be able to be huge somewhere, but why India of all places?
Marko: I don’t know why. I think the word of mouth works really well there and people there are really passionate about the things they like. If you like something, you like it with all your heart.

Radio spoof: NRJ Morning Boys.

Transcription & Translation of Part III available thanks to Dark Side of Light (thank you!):

Radio spoof: NRJ Morning Boys.

Host 1: We’re talking to Marko Saaresto from Poets Of The Fall here in studio. We already touched the topic of their success in India. Do you think this success in India will drive you into using traditional Indian instruments, like the sitar. Will this all have an influence?
Marko: I don’t know. Of course it will have an influence. Sitar is an excellent instrument, like all the others that come from there. But on the other hand, the Indian musicians have plenty of sitars to make music with as it is, so perhaps we’ll just stick to what we know and play electric guitars.

Host 2: Will this drive your band to the point that you will have your influence in Bollywood movies?
Marko: Actually we were asked at one point if it would be possible for us to…
Host 2: What?
Laughter.
Host 2: What kind of part?
Marko: I don’t even know if they had a specific role in mind, but they asked if it would be possible.
Host 2: The Scandinavian bad guy.
Marko: But it would be so cool to go there, really.
Host 3: A big market at least.

Host 2: I claim that the next time Poets Of The Fall comes to visit us they will be talking like [mimics Indian accent] “we are Poets Of The Fall, we play the good music”.
Host 1: Everyone will wear a turban and…
Laughter.
Host 3: And every third sentence is singing.
Laughter.
Host 2: Yeah, this India connection won’t change our music at all… yes it will when money talks!
Host 3: The Beatles created some India-influenced stuff at one point too.
Marko: That’s a good comparison.

Host 2: So when is the Goa album coming out?
Marko: Actually I just checked up on the basic living costs at Goa just last night. I was thinking that I’d like to live there, wearing only a pair of shorts and a pair of flip flops. It would be everything I own and maybe a surf board or something. So I checked out how much it would cost to live there.
Host 2: What does it cost then?
Marko: It wasn’t very expensive. I think a monthly rent of some place was around 100 euros.
Host 2: Oh-hoh.
Host 3: Why don’t we all move there?
Host 2: Yes, all of us together. Imagine how cheap. Just 25 euros per person.
Laughter.
Marko: Per month.

Host 2: Let’s all move in there. But this is a really amazing moment really because this is the last time we get to interview Poets Of The Fall. The guys will be moving to India, so…
Marko: That’s life.
Host 1: No, we really want to thank you for showing up and all. Your new album is in the stores since yesterday and Temple of Thought… or Thooth is the name of the album, it’s worth it to go and get it. I’m very grateful, you wrote something on my booklet with hearts and all. Thanks very much!
Marko: Thanks, it was fun. Good day to everyone.

Radio spoof: NRJ Morning Boys.

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• Length: 6:33min

Transcription & Translation available thanks to Dark Side of Light (thank you!):

Interviewer: This is what new Poets Of The Fall sounds like. Good morning Marko and welcome.
Marko: Very good morning.
Interviewer: This song has already piqued the interest of so many people that we’ve been getting a lot of questions. For example, being such a delicate song, does it have a special story that it came from?
Marko: This song? Yes, it has. It’s a rather complicated story. It’s a fun question, but so personal that I don’t necessarily want to talk about it more than that.
Interviewer: But it’s funny how it has struck so many viewers to think that there has to be something behind it.
Marko: Yeah, yeah, I don’t know. Maybe someday in my memoirs…
Interviewer: You will reveal what this song in question was about, what was behind it.
Marko: Yes, where it started from.

Interviewer: Actually we could continue along the same line. How often do the songs come from your own life, or do they come from the lives of people close to you?
Marko: That’s a good question. They come from both. I do take influences from around me and stories that I hear. As a musician my experience is that we all have our own life and it’s best to take from there. That’s where you get the strongest spark from, in a way, and it makes things happen. It may even come across in the music somehow, that feeling.

Interviewer: Have you ever gotten feedback from anyone who has recognized themselves in your song? Like, oh, you used me there.
Marko: Yes, and I’ve received questions about if this part is from this event and that part from that thing. But… They come from so many different things and they go through such a huge mill in that process of song writing that in the end everything affects everything, but it’s not exactly what it looks like. In the end the song is pretty much minced meat, it’s such a salad. Like I take this from here and that from there and then there’s everything that Olli and Captain bring onto the table in addition to the story. And that feeds the musical output and all that so much that in the end the song is pretty much a heap of spices.

Interviewer: Talking about Olli and Captain, you’re the guy who usually seen talking about Poets Of The Fall.
Marko: Mmm.
Interviewer: Are you a dictator-like boss in the band?
Marko: No, completely the opposite. We’re pretty solidary guys and like to talk about things. As a front man of the band it has fallen onto me quite naturally. We’ve tried to have a starting point where each of us gets to do the things that come easily or naturally to us or if someone’s interested in something then that’s what they do. From the start it was just fine for me to do these promotion things and Olli and Captain enjoy working at the studio more or concentrate on other things that I don’t really like to take care of. But those things aren’t as visible as this task is.

Interviewer: An alias Tähkä is asking if a band can be compared to a passionate marriage.
Marko: You can compare anything with anything really, you can compare a band and an Easter egg if you want but…
Interviewer: There’s a surprise inside.
Marko: A surprise, yeah. But if the question is about if those 2 things are at all alike, then I suppose you could say yes. If you think about a relationship and a band, we are in a way married to each other, especially on a tour. Or why not in the studio as well. This is a 24/7 job, you have your antlers out and your wits about all the time. You’re on the lookout for influences and topics to write about and what I’m experiencing in this life or what that person is experiencing, can I write about that person’s stuff, does it touch me somehow. Like so. And all the while our collaboration is so close that we’re together all the time. Sometimes we clear the air and sometimes it’s “happy-happy joy-joy”.
Interviewer: There’s also the financial pressure just like in a real relationship.
Marko: Yes, yes.

Interviewer: Vilma asks that when you’re writing a song, do you know it’s going to be a hit. And someone else asks if any song has ever turned out to be a hit even though you thought the song was close to good for nothing.
Marko: I have to say that a hit has turned out from something I thought didn’t work at all, but…

Interviewer: Which song is such an example?
Marko: Lift.
Interviewer: Oh?
Marko: It was like that for me. We almost left that song out from the first album and now it’s one of our most played and most liked songs ever since it came out. It was quite funny. But you know when you have a good song. You don’t necessarily know if it’s going to be a hit, but when you’re working on a song you know if you like it. But it’s through your own perspective, what you personally like and what affects you in a positive way. It’s a whole another thing if other people are affected by the song in the same way and it turns out to be a hit. You never know beforehand.

Interviewer: If we’re talking about hits, we’re also talking about money. Vicky wants to know how much money rock music like that gets you.
Marko: With this kind of rock music…
Marko laughs.
Marko: Variably. We’ve been doing alright, I can’t complain in that sense. But, well… Each new album and each new gig and all these things, it’s like going to a job interview over and over again. You always have all your money in the line when you’re making the new album. We spent a year creating this one, Temple of Though. During that time you don’t make that much money because you’re in the studio all the time. After that you wonder if the album is going to sell, are the songs going to play on the radio, will you be booked for gigs and all that. It’s always a bit of a risk.

Interviewer: But you still like that kind of lifestyle?
Marko: Absolutely, in a way that… that… We’re been able to achieve a position where we’re the lords of our own time. We do our work when we like and it’s also something we would do even if it wasn’t our job. Even if music was just a hobby for us, we’d still be doing it. To have been able to turn your passion into your profession has been really great.
Interviewer: Thank you for the interview.
Marko: Thank you.

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• Length: 4:58min

Transcription & Translation available thanks to Dark Side of Light (thank you!):

Interviewer: The last time you visited our show, we kept talking for a long time after how much fun it was to have you here. And we last talked about one of your tours to Russia and we got to hear really fun stories. But afterwards it felt like… can we hear some more?
Marko: Of course, if I remember anything else about it, go on and ask.

Interviewer: You don’t have to go back to the same story all over again, but most bands try to break in Germany. You’ve started heading east instead, and you’re going again on the coming weekend.
Marko: Yes, yes we’re going back. We’ve been touring there for so many years already, and every time there are more and more people. It’s rather amazing how the word of mouth moves around there. It’s good to go there, because it grows more and more each time you go. Things work a little differently there, the system is different from what we have. It’s a bit like the U.S. People come to see a show and if they liked it, they tell their friends about it. And the next time those friends come along to see us and tell their friends about it. And the crowd multiplies. It works the same way everywhere, but in some places this has more emphasis.

Interviewer: Back when Robbie Williams was in Finland, he noted that we’re a very unique nation for an audience, like we’re quiet when he speaks. And he was clearly enjoying the situation when people didn’t scream over what he was saying, everything was all quiet instead. What other countries are unique? Not necessarily being quiet, but something in the audience’s behavior.
Marko: Each country really has some kind of a unique trait in the people, how they function. And it also has a lot to do with what kind of a communication you can build to the audience. It can be surprisingly intimate even if there are 20 000 people to see you. If you’re really there and have a presence, it helps the audience to get into it as well. Once you get to that zone, you can communicate with the audience almost as if it’s one creature. And that’s pretty cool.

Interviewer: You seem to be the kind of band that… Correct me if I’m wrong. I’m guessing you party a bit as well but… but… You seem to read people and audiences and countries and it’s an important part of what you do. And having been to India in addition to Russia, what has been the greatest thing you’ve gotten from the tours as a rocker?
Marko: I think it’s the immediate feedback and recognition of the work you’ve done. You’ve written the songs and played the gig and created the whole “empire” with the guys, the whole thing. And then all of a sudden you have 15 000 people coming to see your concert in some very distant country. It’s one huge blast of a feedback in a positive sense. Oh my. Like “welcome, I’d sing this song for you now”. And also what comments come to us from Face Book and all, what people get from our music.

Interviewer: How can you not go crazy because of it all? I mean really, when I close my eyes and think about it, having my concert poster in Uzbekistan and 15 000 people coming to see the concert. I think it would awaken some narcissistic character traits.
Marko: I don’t know, maybe you should try it if that’s how you feel, but…
Interviewer: But there won’t be 15 000 for me.
Marko: … but it doesn’t really go like that, I don’t let it happen. You just want to keep your feet on the ground in a very boring way so that you don’t start floating. Sometimes we take a break and think about what we’ve achieved and we appreciate it. Like “Oh my God, think!” Like what the situation is. And for a while you feel like something amazing but then you move on and continue working and continue being the person that you are. None of our personalities or anything have changed during this whole fuzz, which I think is really fine. I laugh a little at the notion of floating, no matter what band you’re from. If you’re like “I’m a living legend” it just makes me laugh.

Interviewer: This has actually happened a little bit with some other bands. You came close to answering my other question, but how has this all affected you on a personal level?
Marko: On a personal level. Well… let’s just say that it has somewhat opened my eyes about how well or unwell I’m doing in life or how other people are doing in life. You see the things you’ve been lucky with, which feels to be pretty much everything. But still. I think it’s the lessons you’ve learned, the perspective you’ve gotten of this world and this life and this planet and how this work. That’s the most important thing in my opinion.

Watch:

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Metadata:

• Length: 4:44min

Transcription & Translation available thanks to Dark Side of Light (thank you!):

Interviewer: In the studio Marko Saaresto from Poets Of The Fall, wonderful to have you here.
Marko: Thank you. It’s wonderful to be here.
Marko laughs.
Interviewer: Like I said, an extremely beautiful and delicate song, but quite a challenging choice for a first single.
Marko: Thank you. It was like… we were told that it’s a bit of a risky business to pick that one but we liked the song and wanted that one and that’s what we did. Because we’re an indie label we get to do what we want.
Interviewer: Anything you like.

Marko: It was pretty funny when I was having my apartment remodeled and these hairy guys were working there and when the song came out these hairy guys were like “oh, lovely song, lovely”.
Interviewer: Oh. It’s very tender, and you have to stop to listen.
Marko: Yeah, yeah.
Interviewer: It’s very calming. Actually during some songs we were talking with Marko about Chinese medicine, yin and yang, and calming down. That’s the right song for that, but you really have to listen to it. It doesn’t work if it’s just somewhere in the sidelines and you’re not focused. So it’s meditative almost, you can really calm down.
Marko: Yeah. The way I practice our songs is that I play them in my car and sing and I hear my voice from the windshield, the voice reflects back from it. So when this song plays in the car, it’s like all the outside world disappears. It’s almost dangerous to drive listening to that song because you don’t really pay attention to the traffic around you.

Interviewer: You have the benefit of having a perfect voice…
Marko: Oh, thank you.
Interviewer: … but when a crow like me gets going the only thing that disappears is sanity.
Marko: But perhaps you could start your own sub-genre or something.
Interviewer: Mmm, so you say. You’re a 41-year-old rock star. Have you had an age crisis or are you having it now? Because those things can last for quite a long time.
Marko: Yes, I did. But it happened when I was 38 years old.
Interviewer: Oh, my 30’s crisis started when I was 28, so my 40’s crisis must be right around the corner.
Marko: Yeah, my 40’s crisis happened then, it was like I felt I don’t have a right to do this for work anymore, I’m starting to be too old.
Interviewer: Oh no!

Marko: No, really. Like how can I go in front of people on the stage and I suppose it will all end with the next album back then. (Translator’s note: Twilight Theater.) Like that, you know, I was thinking about all kinds of things then. But at one point you go like “well yawn, take a look at Mick Jagger” and ok, moving on.
Interviewer: And the world has changes, like way back when we were little, a 40-year-old was considered a grandpa.
Marko: I’m just a kid still.
Interviewer: Like 40 was really old, one foot in the grave already.
Marko laughs.
Interviewer: No, I mean it, back in the 50’s and so.
Marko: No, yeah yeah, it’s true. 40 was really old back then, you had lived so much already and got worn out by it…
Interviewer: And life was more consuming back then. Also, I believe it was about attitude, the way these people saw themselves and classified themselves.
Marko: Yeah, yeah.

Interviewer: Do you have any advice for our listeners? I mean, you went through the crisis but didn’t stay to wallow in the bottom of the pit with one leg in the grave. How does one get out of it?
Marko: In many different ways. The way I did it… I’m kind of a student of life type of person and every time I hit a wall and don’t know how to continue, I just ask from people smarter than me how to get through it. So I read some of those… what are they now…

Interviewer: Life skill guide books?
Marko: Life skill guide books. All kinds of stuff about how to overcome crisis and depression and started studying neuro-linguistic programming and took up studying acupuncture again. And I came to a conclusion that I’m not feeling well and I haven’t been taking care of myself. And I thought that I’ll start doing that now, because I think it’s really important. I’ve been talking about it for a long time now, like telling people to take care of each other at concerts. Because if you’re well you have so much more to give to other people. And if you’re not well, you can’t handle anyone, basically. If someone comes to you with their problem, it knocks you down and a heavy carpet falls down on you on top of everything. That’s how I think about it these days.

Interviewer: I want to come to a gig where you tell people those words. When are you guys in Finland?
Marko: We’ll be at Tavastia on March 31st.
Interviewer: And do you promise to say those words then?
Marko: I promise.
Interviewer: Good. I’ll see you there.
Marko: See you.
Interviewer: Wonderful, Marko. Thanks for being our guest.
Marko: Thank you.
Interviewer: Be well and take care of yourself so that you can take care of others.

- Originally aired on Radio City, 12/02/14 with a little interview:

Transcription available thanks to Dark Side of Light (thank you!):

Lauri: You’re listening to Resurrection at 99.4. We have Karhuvaara [Veera’s last name] in the studio, good morning Veera.
Veera laughs.
Veera: Hello.
Lauri: I can tell for everyone who can’t see that Veera is wearing a hat that’s covering her eyes at the moment and she has no idea what’s going on in the studio. But why don’t we get the show rolling, we have… This is for you Veera, from all of us.

Poets Of The Fall Marko and Jaska play You’re Still Here.

Veera: This is so cute, I can’t handle it. Can I take the hat off now?
Pauliina: Yeah, you can.

Lauri: Unbelievably amazing Valentine’s Day, Poets Of The Fall here on the radio, in our studio. And there’s a lot of hugging and kissing going on.
Veera: Thank you! What a lovely surprise, oh my! Can anything be cuter?
Lauri: Why don’t you tell us how a little surprise like this feels?
Veera: Really wonderful, thank you. Thank you. I’m just so overwhelmed now. My heart is full of… white hearts that… no, red ones. No, pink hearts that just flow over.
Marko: [Something about white bunnies and something about having talked about other things, can’t really make it out well enough.]

Lauri: So how are you guys?
Marko: Good. My voice is a little down because it’s morning but Jaska played very well.
Lauri: Yeah.
Marko: It’s a beautiful morning. We parked a little ways from here and tried to come up with enough 20-cent coins to pay for the parking for the duration of this song. We managed to do that in the end.
Veera: Ah, yeah, musicians have so much money that they have large notes instead of change.
Marko: Yeah, yeah. Actually we had to kidnap this old woman on our way here and she had… or the collar of her dog had a small coin pouch and we got some coins from there.
Veera: Everyday occurrence.
Marko: Everyday occurrence.
Lauri: Totally.

Veera: This was really so wonderful, hey!
Lauri: Thanks for the interview.
Marko: Happy Valentine’s Day to everyone.
Veera: How’s your Valentine’s Day going to continue from here on?
Marko: I don’t know.
Veera: Anything exciting?
Marko: I think we’ll just go here and there and talk to people and when the evening comes and we’ve woken up we’ll go home and start wondering if we should get around to actually doing something.
Veera sighs.
Lauri: Great.
Veera sighs again.
Marko exaggerates a sigh.
Veera: Thank you!

Listen:

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Metadata:

• Size: 16.1MB
• Length: 17:38min

Transcription & Translation available thanks to Dark Side of Light (thank you!):

Ari Hursti: It’s 8:38. That was a weird click-smack kind of sound.
Minna Kuukka: Yes, yes. We’re here sitting in the studio, the three of us, and there’s an empty chair in the middle.
Minna laughs.
Ari: Kuukka, Hursti, Laitinen and… and.. and…
Aku Laitinen: But not for long. We’re going to have a guest from Poets Of The Fall.
Ari: Yeah, Marko. But not…
Minna: So, Marko is in the house, that’s not the problem. But we have a couple of different doors from where you can come in and apparently Kristofer is at one door and Marko is at the other and they’re trying to find each other. And perhaps someone is already in the elevator. Yeah, but…

Aku: We could have some awkward conversation here, like we have to come up with anything.
Minna: We could.
Ari: Or then we could be all silent.
Minna: We have a message here for the specialty man Laitinen here…
Ari: Ah, no?
Minna: Besides the fact that Laitinen is soooo cute…
Aku: Oh! Hit and sunk, thank you!
Minna: … then referring to…
Aku: Just leave it at that.
Ari: He’s feeling good now.
Laughter.

Minna: Referring to what you previously said, before the 8 o’clock news, when you gave advice in case of a mishap on the road. You said if the car engine stops, just leave it running so you won’t get cold. And we got to bully you about it a little. So the message goes that if the specialty man Laitinen can leave his car running after the engine stops, is he related to Chuck Norris.

Ari: Was this a question or…
Aku: I really can’t reveal this. Cos I’d have to kill anyone who heard, after telling. But yes, I’m very closely related to Chuck Norris. And let’s just say that the only reason different animal species exist in this world is because Chuck and I are letting them live.
Laughter.
Aku: Nah, I’m not related. It’s great that a myth like this is circling around. Just kick more power into it if it indeed exists.

Minna: Do you have the same kind of rug as Chuck has?
Aku: No, that’s what I’m missing. I’m missing that fine round house kick and the rug. By the way, did you know that hiding behind his beard, Chuck has a third fist?
Laughter.
Aku: I don’t have a beard, I can’t keep it in hiding.

Ari: But now, in the studio!
Minna: For once I’m going to have to say: Thank God our guest is here!
Ari: Yes!
Minna: Cos our stories started going to the kind of state, that…
Aku: Dispare.
Ari: You saved our live transmission, welcome!
Minna: Yes.
Marko: Oh, thank you, thank you.
Minna: Marko, good morning!
Marko: Good morning.
Ari: Let’s shake hands.
Marko: I’ll shake hands, even from this far away. There you go. Good morning to each class and caste, for everyone out there in the freezing weather and I hope you were able to tune in just in time. Getting here on time was such a close call for me. But I’m here on the exact right minute.

Minna: Did you arrive by car?
Marko: I had a really brilliant… I’m sure that taxi driver was from some Aladdin’s lamp.
Laughter.
Marko: I said I have to be there at 8:30 exactly, because the live transmission starts at 8:40 and he was like it’s going to be alright, I have a little trick, we can turn from the hot dog kiosk to the opposite traffic lane and by 8:30 we can be in Timbuktu if you want.
Ari: Like my aunt lives around the corner, let’s stop by there.

Minna: Well, let’s get to the point then. A song named Cradled in Love has been playing in our frequency as well for about a week now.
Marko: Yeap.
Minna: And it’s the first single from Poets Of The Fall’s upcoming album. So when is the whole album coming out?
Marko: The album is coming out in March. And from what I’ve gathered, if everything goes well and the tight schedule we have keeps, if we can make it in time from the hot dog kiosk, the blast should happen on the 21st.
Minna: Well then. Great, great.

Ari: Can you shed some light on the album, if you can? What kind of material is there going to be, in general?
Marko: Eh, well, there’s going to be familiar Poets, some more experimental Poets and the same kinds of fun songs as Cradled in Love and also some faster paced music that will make you go out of breath.
Ari: Mmmh. Good.
Marko: The album is called Temple of Thought.
Minna: That’s… Temple of Thought: A fine name, and a fine song too. I almost sank into nirvana listening to it [Cradled in Love] on my way home in the car. I almost had to take a look around where I was when the song ended.
Marko laughs.

Minna: And I checked out some fan reactions from your website, and someone had written like “Oh, how nice that it was somehow different, but still there was some familiar Poets Of The Fall in it”.
Marko: Yeah, yeah.
Minna: So if that has been the plan, then it’s worked out well.
Marko: Yes, yes it looks like it came together just perfectly. There was a lot of nervousness about how it’s going to be received.

Minna: Anyway, your website and your discussion forum is a quick and easy way to do an arm chair trip around the world.
Marko laughs.
Minna: Because there are different sections for different countries. Sections. Sections.
Ari: What was it?
Marko: What? Sex… what?
Minna: Like, this is the place for Germans, for fans who speak German and that is… I mean, there were so many different countries and people there.
Marko: Yeah.
Minna: It’s quite dizzying. Just think about it.

Ari: This Cradled in Love, then. A lot of other musicians and music business people and rockers have said that it’s been a while since a world class ballad such as this one has emerged.
Marko: Whoa, whoa.
Aku: Yeah, I’ve bumped into the same comments quite often.
Ari: What does it take, in your opinion?
Marko: What does it take?

Ari: Have you just worked without thinking about it that much, or… is it about some grandiose sound or where does it come from?
Marko: It’s really difficult to say. But I guess it’s about having three guys work on a song, and then everyone pours in their own thing and their feelings. One does something that inspires the other and that inspires back and it turns into a spool of energy and in the end a blast like this comes out. It takes a lot of pain of the soul and tearing to create something like this. So for once all of the banging your head against a wall has led to something great.
Ari: Professional victory.
Marko: Yes.

Minna: Has this happened in between of everything else? Like you’ve been touring and working on the new album.
Marko: Yes, that’s how it works for us usually, somehow.
Minna: And do I understand correctly, that your tour will continue in March?
Marko: Yes, it continues from March onwards, but of course with the new album. Because it’s kind of a… There were Signs of Life, Carnival of Rust and now Temple of Thought, the album to finish the trilogy. Hopefully there will be something special with that.
Minna: Because you’ve been touring under Alchemy title now…
Marko: We started with Alchemy, yes, and we’ll see what will come to succeed Revolution Roulette and Twilight Theater, if anything. Something will come, hopefully.

Minna: You have upcoming gigs in March, there’s St. Petersburg and Moscow in Russia and there’s Ukraine.
Marko: Ukraine, yes. And I think some Estonia and Latvia, Lithuania… and what else? Where are we? Finland.
Minna: So what is the fan base like over there? And are the gig situations much different from our Tavastia, for example?
Marko: It depends on the place and the energy you can whip up but our gigs abroad are starting to get quite big already. Like one venue can hold several thousands of people.
Minna: Excactly.
Marko: Interesting choice of words, by the way.
Laughter.
Marko: Yeah. But it can be anything from 3000 to 5000 people in Russia and Ukraine for example. And some other countries have places pretty much like Tavastia and India has really huge arenas. It’s incomprehensible. But it’s really great.

Minna: Do they treat you like… uuuh, mega world stars? Do you have limousine rides from one place to another and…
Marko: Yeah.
Minna: And insane penthouse suites at the hotels and…
Marko: We usually stay at rather reasonable, nice hotels. Now and then we’ve had suites where you just walk from room to room and wonder how you’re going to find use for all this space.
Ari: You need to take a snack with you when you go from room to room.
Marko: Like I’m going to put my Pepsodent [toothpaste brand] over there and I’ll take my spare underwear to that room and I’ll put my gig wear to this 70-square-meter entrance hall. We’ve had that, but usually it’s just a decent basic kind of room.

Ari: When you get a suite like that… Does it ever cross your mind that you ought to behave accordingly, as an artist? Like, when I’m given a situation like that, I’m going to take it.
Marko: It does cross your mind. But if I take advantage of it is another story. We do have parties sometimes. But usually it goes to… if we hang out after the concert it’s just crazy laughing until the morning.
Minna: Is it just your core crew, or do you invite some local people?
Marko: It’s usually that. And maybe some people from the organizers. But a lot of times during the tour… People, I’m going to tell the truth now. So during a day we may have only about two hours for ourselves.
Hosts: Mmmh.

Marko: And we usually spend that time sleeping.
Minna: This is the kind of stuff one would never want to hear. One would like to think that it’s all like… someone’s feeding you grapes while you lie on a divan at the suite or something until you’re taken to…
Marko: I can tell you more about that when we go off air. I can tell you all the stories involving grapes.
Minna: Yesss!
Ari: So it’s not all about the kind of life Mötley Crue used to live?
Marko: No… I think if it was still the 80’s, then it might be a little more like that, but it’s not like that these days. All things evolve in some respect, things change and it’s pretty much all work and so.

Ari: How disciplined is the profession of a musician, during the tour? Is it a free rock ‘n’ roll life or does it go with a purely professional attitude?
Marko: You have to go with a professional attitude, there are a lot of things from promotion to concerts and you have to do it well and stay sharp. And at the same time you get really tired, you’re flying around and you’re awake at the weirdest hours and you meet a lot of people. You have to have a certain kind of work ethic there. But sometimes it’s like… like we’re professionals of waiting around. It feels like we’re always in a hurry to wait around.
Minna: Military service vibe!

Marko: It’s pretty much like in the army, yes. You learn to be very patient. But if you know how to let loose and take it easy, you do get some time for yourself in a way. But quite often it’s just going from one city to the next and you don’t really get to see anything of those cities. It’s a really good day if we’re arriving at Hamburg, for example, in the morning and you have a chance to go walking around the town until noon from when you wake up around 9-10 am feeling confused. And you get to walk around for a couple of hours. And then we have the sound check and after that, interviews. And we meet up with some fans and then it’s time to eat something and then you wonder what to do with the rest of the day. And then we start preparing for the gig and at some point you get to take a nap or something. And at night we have a crazy cuckoo party. And the next morning you’re all confused, like “oh, we’re in Berlin”. And the same thing continues.
Ari: And it sounds like it’s work.

Minna: But Marko has the same kind of speaking voice as his singing voice is.
Marko: Mmm.
Minna: And I could just close my eyes and slowly tilt to the side.
Laughter.
Ari: And fall over with a knock on the floor.
Marko [in a relaxation tape kind of deep voice]: If you at home have a moment to spare, please do close your eyes now and if you haven’t closed them yet or if you have, do close them again. And we’ll lull ourselves into the mood of the next song.

Radio spoof.
Cradled in Love.
Commercials.
Radio spoof.

Ari: It’s 5 to 9 am, the news coming up at 9 am and after that Sari and Minna O. in the studio.
Minna: Yes, we just heard the fine Cradled of Love by Poets Of The Fall. And it’s from the new upcoming album that’s coming out in March. Temple of Thought is the name of the album. Thanks a lot Marko for visiting us.
Marko: Thanks, it was a lot of fun and everyone have a fun day with some coffee and cinnamon rolls.
Minna: We gave him some coffee and cinnamon rolls just now, and a moment of breath before a photo shoot for promo pictures. It’ll be good to go to that setting with some crumbs at the side of your mouth.
Marko: That’s how life smiles at you.
Minna: Good! We’ll continue tomorrow. Bye!

- Originally aired on The Voice, 12/01/24 with a little interview before-hand:

Transcription available thanks to Dark Side of Light (thank you!):

Radio spoof: Voice First Reaction. Let us know your opinion.
Interviewer: This afternoon on First Reaction we have Poets Of The Fall, Cradled In Love. I’m holding the single in my hand and I have Marko at the other end of the line. Hello.
Marko: Hey.
Interviewer: How’s it going?
Marko: Pretty good. I’m in the middle of adjusting all kinds of things but it’s going pretty good, it’s been a lovely day today, the weather’s fine.

Interviewer: New Poets on the radio in just a moment and it’s surely something that many people have looked forward to for quite a while now.
Marko: We’ve looked forward to it too, after working on it so religiously. That’s the first blast there and I have to say it feels really good.

Interviewer: So tell me, why has it taken you so long to make some new music.
Marko: Well… I think we had a time where we wanted to think about what, how and who with and stuff like that. Sometimes you just have to live a little in between, so you get new themes as a musician and new ideas, inspirations and we’ve gotten those during this time and a lot of things have happened in everyone’s personal lives, so there’s been something to write about.
Interviewer: So what’s going on in Marko’s life? I’ll throw a profound question at you.
Marko: What’s going on in Marko’s life… new winds, I hope. Let’s put it like that.

Interviewer: How is it with… when you think about the musical aspect, has Poets Of The Fall changed during the hiatus?
Marko: Well…
Interviewer: Or can you even call it a hiatus?
Marko: I hope we’ve at least evolved. I don’t think there’s been any hiatus, we just had a phase where we wanted to release our first compilation of the songs we had and at the same time think a little, if we were going to start doing techno or heavy metal. We settled for staying on the similar track as we have been so far. I think it’s somehow, when you live and experience and grow and even learn a little about writing music and stuff. It always makes a small facelift to the music. But you can hear it from behind all that, that it’s clearly the same guys writing this music too. The music is new, but there has to be something familiar in there so that it roots into the things we’ve done before. We have a thought that the next album is in a way a fulfillment to our 2 first albums. So this is the third part of a trilogy. And after that we get to do something else new again.
Interviewer: Wow, that was a whole new concept, a fulfillment of the previous albums.
Marko: Hmm.
Interviewer: It was beautifully said.
Marko: Thank you.

Interviewer: But techno… It’s not there in this first single anyway.
Marko laughs.
Interviewer: But are there going to be any “let loose” songs on the new album. The kinds that make you think “oh, this kind of stuff from Poets Of The Fall…”?
Marko: Heheh. Yes there will be.
Marko laughs.
Marko: Yes.

Interviewer: Tell more.
Marko: Tell more. You’ll hear it eventually. You’ll see and you’ll hear. Of course everyone will interpret in their own way but I claim, looking at the list of songs on our wall, the lyrics and the song titles, there are some things where we’ve gotten a little more experimental. It’s actually pretty fun for us as well, to tread new paths for a change.

Interviewer: Cradled In Love is playing next, tell us about the song before we play it.
Marko: Well, it’s a story based on very personal experiences about love and its many dimensions. And even when you get struck down sometimes, it’s still good to take a look around and see all the good things around you, find support in them and to find that they actually carry you on rather well.

Interviewer: Thank you for this.
Marko: Alright. Thank you.

Hello fans!

The playlist URL for the Poets of the Fall performing at the Great Indian Oktoberfest in Bangalore, India on Nov-13-2011. :)

These videos are both from a normal Canon digicam as well as a couple of iPhone video recordings, quality isn’t great, but what-the-hey, real fans will enjoy it anyway! :)

Apologies for the delay in uploading as well as the camera shakes and what-not, but we obviously were quite high, illusions and dreams. ;) :P

The song order is like how it was at the concert. Couple of songs not recorded.

Cheers all PotF fans! \m/

Playlist:

1. Dreaming Wide Awake
2. The Ultimate Fling
3. No End, No Beginning
4. Can You Hear Me (Missing)
5. Stay
6. Sleep
7. Locking Up The Sun
8. Desire (Unplugged)
9. You’re Still Here (Unplugged)
10. Sorry Go ‘Round (Unplugged)
11. War
12. Diamonds For Tears
13. Illusion & Dream
14. Late Goodbye
15. Carnival Of Rust
16. Lift

Metadata:

• Length: 1:15:39
• View the Playlist on YouTube